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Tuesday, September 4, 2012

Teaser Tuesday[10]: Love, Stargirl (Stargirl, #2) by Jerry Spinelli


Teaser Tuesday is a weekly meme hosted by MizB over at Should Be Reading! All you have to do to participate is:
Grab your current read
Open to a random page
Share two (2) “teaser” sentences from somewhere on that page
BE CAREFUL NOT TO INCLUDE SPOILERS! (make sure that what you share doesn’t give too much away! You don’t want to ruin the book for others!)
Share the title & author, too, so that other TeaserTuesday participants can add the book to their TBR Lists if they like your teasers!

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This week, I’ve mostly been reading adult romances and manga. Nothing too exciting, and not too much, either.
I’m still working out what my set posting schedule will be. I’m planning on doing these every Tuesday, and reviews on the weekend, probably Saturday and Sunday mostly, and I’m thinking about doing one other meme during the week. Thursday, perhaps? I just haven’t decided what, yet. Plus I haven’t started school yet, and I don’t know what that will do to my schedule; hopefully not much, but you never know.
Anyway, what I’m reading right now (or am planning to start reading) is:
Love, Stargirl (Stargirl #2) by Jerry Spinelli
Publisher: Random House (Alfred A. Knopf/Borzoi Books)

“’Ironic,’ Betty Lou said at last. ‘The cereus insists on sunlight---that’s why it must be at the end of the yard. And yet it saves its flower for the moon. The sun never sees what it fathers.’
‘It takes from the day,’ I said, ‘gives to the night.’” (Paperback, pg. 104)

“There’s a banner across Bridge Street. Blood-red with black trembly letters:
                                          THE BLOB IS COMING!” (Paperback, pg. 105)

What are you reading right now (or hoping to be reading)?

Sunday, September 2, 2012

Review: American Psycho by Bret Easton Ellis


Rating (Out of 5): ~2-2.5
Publisher: (All over the place; it's a classic, everyone owns it. I borrowed the copy I read, and I don't remember what company it was from; sorry.)
Spoilers?: Yes, with warnings.

Goodreads Synopsis:

In American Psycho, Bret Easton Ellis imaginatively explores the incomprehensible depths of madness and captures the insanity of violence in our time or any other. Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.

Review:
[There is some light cussing in this review.]

This is another book that I read because my brother wanted me to. Previously, he had raved to me about how good it was, and that I should read it (actually, it had become the book he would tease me about, because of how I refused to read it, without really knowing too much about it). I was over there for several weeks this summer, so I decided to read a couple of his books, and this was the last one I read before leaving. I wasn’t sure if I was going to like it, what I was going to think about it at all, and the beginning wasn’t even too bad. And then I read more of it, and that kind of changed things.
Now, I had a good outlook when I started this one. Albeit, before starting it, I had given The Rulesof Attraction, by the same author, a try, and that one had been a big fail*. But I was giving him another chance with this book, especially since my brother also did not like The Rules of Attraction, but loved this one.
So, here: I did not like this book. I could barely stand this book. I think loathed and hated are too strong of words for my feelings of this book, but they’re really close. Some of my feelings of hate and disgust lowered, though, I think, when I finished the book. Perhaps because there was a chapter near the ending that I liked. Perhaps because I was just so happy to be done with this terrible book that I had spent the last, like, five-ish days on.
Now, I’m just happy for it to finally be over.
If you haven’t read this book, it’s about Patrick Bateman. He works on wall street, in high society New York. Where people don’t really notice other people, where they are too stuck in their own lives and gossiping about others. They are all, every single character, too materialistic and selfish and self-centered. And just… They are all just so freakin’ despicable and there was not a single character that I liked, that I even halfway enjoyed reading about.
And, the materialistic thing? It's ridiculous how materialistic Patrick is. You can barely go more than, maybe, two pages, definitely not more than, say, ten, without there being at least a paragraph of description on what everyone is wearing. And so many brand name, high-class labels. I would suspect it were product placement if it didn't happen so often, and if it weren't just a way for Ellis to shove how stuck-up Patrick is into the readers' face.
I am just so done with this book and this author that I almost don’t even want to talk about it anymore. But that’s not what I’m doing here. I am talking about it here, just like I read this book, because I obviously hate myself.
Patrick doesn’t like people, and yet is surrounded by them all the time. He, like everyone else in this book, is somewhat serious with one person, and yet is cheating on her with someone else, all the time. (None of them seems to understand that there is such a thing as being faithful.)
[Spoilers ahead!] Patrick, as is pointed out in the synopsis, has something wrong with him. Which is so very true. He’s going psychotic and killing people (any type of person, really, and even animals) for no reason; and, along with that, he’s a cannibal, and the ways he kills people are, yea, creative and disturbing. But honestly, the violent killings didn't even bother me so much after a point; I was just not surprised anymore. And one thing that bothered me: he’s doing it so openly! He’ll walk around with blood stains on him, he’ll threaten people, he’ll tell people to their face that he’s killing others, and no one even notices.
Which, okay, I get it. That’s a major theme of the book: that no one notices anything around them. No one pays attention to anyone but themselves. That doesn’t mean that it didn’t drive me crazy. Because, you know what? Now, at least, I would like to think that, if someone suspects something it happening, they’re going to call the police, at the very least. And there is no reason for people not to suspect something is wrong with him.
Everything about him is wrong.
But, of course, everyone loves him. He smiles while saying something disturbing and no one notices. He waves some money around and gets what he wants. All the women love him. Everyone thinks he’s innocent or nice or sweet or something the opposite of a killer. It’s so goddamn ridiculous.
God, this book fuckin’ drove me crazy.
Those are, mostly, the things that bothered me. The rating, for how much I disliked the book, is a little high. Here’s why:
The author knew what he was doing. While the way he writes, the long, drag on sentences, and long, drag on paragraphs, with characters that suck, who are doing drugs and hooking up with women and drinking for no reason, I don't particularly like, he knew how to put the book together well. Patrick, while I hated him, was a well-made character. Everything he did, all of his materialistic and psychotic instances, were well done. There was a point to most of it, symbolism and foreshadowing and all that stuff. This book was well put together, okay?
At first, the drag on way of writing kind of annoyed me, but I got used to it. And the fast moving dialogue was usually pretty easy to read, and moved along pretty fast. That doesn’t mean that I enjoyed it, though, because I really didn’t.
Saying that, though, isn’t completely true. There were a couple of chapter that I enjoyed. Not many, but a couple. I liked the one, near the end, where Patrick and a few others guys are trying to figure out what restaurant they’re going to, and end up canceling and making and then canceling reservations, and Patrick accidentally invites two women and can’t remember where he told them to go. Some chapters that I did not like, in particular, were ones that were full of information about some band or singer, with only a little input of what Patrick thought about them. I just did not care enough about Huey Lewis and the News to read eight pages about them. And when he was describing his daily routine, like how he moistens his face and all that crap. I mean, yea, I get it already: Patrick is full of himself. I got that in the first chapter, okay? You don’t have to shove it in my face so much.
[Spoiler ahead!] Oh, and the ending. This is another thing that bothered me. Nothing changed at the end, okay? Just like nothing changed at the end of The Rules of Attraction. He didn’t learn anything, nothing happened to him, he didn’t die or go to jail. He’s still going crazy and killing people. It just made it seem like there was no point, and I don’t like that. What was the freakin’ point of reading about him, about what he does, about all his double-faced crap, when there wasn’t even a good resolution? Just… what was the point?
I’ve given the book an extra star for what the author did. So, without that star, this book would be about a 1-1.5, so it’s bumped up to a 2-2.5. There’s no way I can happily, in any way, round that up to a 3, though. The book started out in a 3 range, but now, it’s not even close.
I’m done with this book now. Once this is posted, and that book is away from me, I am done. I don’t have to read it or think about it anymore. I don't even think I want to watch the movie. So, if you’ll excuse me, I’m going to read an adult, romance-ridden, smut-filled book that I will actually enjoy, just to get the taste of this book out of my freakin’ brain.

*I aimed for fifty pages, okay? I got ten. And then I got, I think, forty. And then I just could not read any more. Its standing rating is a one, and barely even that. I’m not officially giving it a rating, because I don’t like reviewing something if I haven’t finished it, but I’m pretty sure I have given up on that book, which is something I haven’t done before. There is a very, very low chance that I will try again, or at least try to finish it, but a higher chance that I will not. I just… I didn’t like anything about it: the writing was bad, the characters sucked completely, there was almost no point to the whole thing. I even watched the movie, in an effort to motivate myself to finish the book, and I didn’t even want to finish that, okay?

Manga Review: Natsume's Book of Friends, Volume 10, by Yuki Midorikawa


Rating (Out of 5): ~3.5
Publisher: VIZ Media (Shojo Beat)
Volumes: 14+

Goodreads Synopsis:

One of Natsume’s elementary school classmates is in town, but the unexpected reunion is for a dark purpose. Shibata knows Natsume’s secret, and threatens to expose it if Natsume doesn’t do what he says!

Review:

I really, really like this series. It’s so sweet, and simple, and maybe has a nostalgic (reminiscent? wistful?) tone to it. It’s just really good, and it bothers me that so few bookstores near me (pretty much, one of the, say, five or six bookstores that are near me) carry it; along with a few other series, too, actually. (I swear, ever since Borders closed, it has been much too hard for me to find manga. Way too hard.)
It’s been a while since I read a volume of Natsume, and while the books are a bit slow, I still really enjoy them. And it’s always nice, getting to see Nastume and Nyanko-sensei again.
While I would really like for there to be a more set storyline for this series, since each chapter tends to be about a different thing, I still enjoy reading all of them. In this volume, there was a two-chapter and a three-chapter long storyline, which was nice.
The first one focused on a boy, Shibata, who Natsume knew from elementary school; a time when he told people that he could see the supernatural and no one believed him. Natsume is wary, and bumps heads with him a bit, but helps the boy when he asks for it. Shibata is a but strong headed, and has fallen for a yokai girl, whom he wasn’t sure was human and needed Natsume’s reassurance on. This wraps up pretty nicely at the end of the second chapter, but I’m doubtful Shibata will be a character we’ll be seeing much of.
The three-chapter story is about two yokai gods, one of which, the harvest god, is missing. His minions don’t know where he is, as he’s believed to have been sealed away somewhere, and so ask Natsume to pretend to be him for a bit. At the same time, Natori is trying to find the sealed god so he can set him free (an unusual thing for his job, but he was asked because they don’t want the mountain to die.
There are some sweet moments in this, some funny ones, and it’s interesting to see how different Natori and Natsume are, even when just interacting with Natori’s servant, Hiragi. This one also ends rather well, and there are sure to be new yokai and new problems in the next book.
My favorite chapters are when we get to see other sides of Natsume, like when he’s around friends (as we glimpsed in the first chapter, actually), and when we get to see him as a little kid in flashbacks, or just getting to see him growing at all, really. He’s getting a bit more strong-headed, and arguing with people more freely, which was apparent in this volume, and that was nice to see. I just love seeing Natsume, really. He’s so sweet and kind-hearted, and after being passed around and mentally/emotionally beaten down for so long, I like seeing him getting stronger and more comfortable.
I already have the next volume, and I plan to read it very soon.

Saturday, September 1, 2012

Manga Review: Marmalade Boy, Volume 1, by Wataru Yoshizumi


Rating (Out of 5): ~3.5
Publisher: Tokyopop
Spoilers?: Yes.
Volumes: 8

Goodreads Synopsis:

And you thought your family was strange? Miki's world gets turned upside down when her parents swap spouses with another couple and all decide to live together under one roof. It only gets weirder when Miki falls in love with her new stepbrother Like a dysfunctional version of the Brady Bunch, Marmalade Boy will hook readers with its odd premise and wacky relationships.

Review:

I just recently bought about three different manga, two complete sets and several books of another, online for cheap, and this was one of them. I’d wanted to read this for a while, and I think I might have read volume one before, or watched the anime, if there is an anime? I don’t really remember. I do know, though, that I’d wanted to read the full series. Not seriously enough, though, I guess, to try to find all of the books. When I saw this one online, though, I knew I wanted it. And after reading the first book, I’m glad I got it.
This book was full of general, cliché-like, shojo. And I really enjoyed every bit of it.
In the first chapter of Marmalade Boy, we meet Miki, whose parents are switching partners with another couple. She’s got a crush on one boy, Ginta, although he turned her down and they’re still very close friends, but ends up being stuck with her new step-brother, Yuu, who is obviously going to be the main love interest. Within the first book, we see Miki overreact about her parents and how weird they are (even though they didn't seem all that strange, aside from the switching partners thing), that Ginta still likes her, and that she’s starting to get feelings for her step-brother, although he’s always teasing her, and she meets his old girlfriend. Miki pretends to be asleep at one point and Yuu kisses her, we find out that the rejection, which included a love letter, between her and Ginta was a misunderstanding and he confesses his love to her at the end of the volume. The confession was actually pretty funny, with how abruptly he kisses her, and then they continue yelling at each other before he blurts out that he loves her. I thought it was fun, at least. It’s full of very typical, shojo material, but I enjoyed it fully.
Miki is an alright character. I hope to grow fonder of her later, but right now she’s not too bad. She tends to exaggerate and overreact to everything, which her friends and family are used to. But she’s not too bad so far. I like her best friend, Meiko. She’s a bit more calm, straight-faced, and protective, and I’m looking forward to her storyline, which I’m hoping there will be one. I do like Ginta, he seems sweet and nice, but I have suspicions that he’ll end up with someone else in the series. I also like Yuu. He’s obviously got feelings for Miki growing as well, and I’m just looking forward to watching them grow. I even like their parents, who are all enjoying living in the same house and being with different partners, and who tease and care about and trust their children.
While being a typical shojo, this is a very cute, sweet, endearing read so far. For me, there isn’t quite as much of the more physical romance parts that I would like (at least, I’m assuming there aren’t,) but I’m pretty sure I’ll enjoy it nonetheless. I’ve got all eight books, and am really looking forward to reading them. I’m hoping to get through them, but reviewing them will probably slow me down a little.
Now, on to volume two…

Sidenote: Throughout the volume, I noticed in some of the side panels that there were messages from Tokyopop. One mentioning how the book was right-to-left instead of left-to-right like American books, and another about how the school systems are different... I just thought those were interesting, as I hadn't seen them before. Was that common, when Tokyopop first started? And, my main question, did that take away some of the panels the authors wrote, or did they have to make extra space to put them in?
Oh, another thing I noticed that Tokyopop used to do, or sometimes did, maybe when they felt like it: the 'In the next issue/volume of:'. I always kind of enjoyed those, and just thought it was neat seeing one again. Although, I mean, sometimes we never saw another volume, or I already had it, or there just wasn't one of those. It always bothered me that some volumes had it while other didn't.