Rating (Out of 5): ~3.5
Publisher: Yen Press
Release Date: April 2015
Volumes: 13+
Spoilers?: Some.
Buy it here: Amazon. Barnes and Noble. Book Depository.
Goodreads Synopsis:
Aiming for an autumn
calligraphy exhibition, handsome young calligrapher Seishuu Handa sets
out to get in touch with his creative side. Meanwhile, a man whose
appearance screams yakuza, landing him well out of place on the peaceful
island, puts in a "request" to have Handa write the name on his
boat...!? With the prickly-sweet--prickly-useless, more like--Sensei in
tow, the overindulgent islanders unfurl a mature, heartwarming island
comedy that fumbles blindly in the dark in Volume 4!!
Review:
This series is slowly growing on me. I want it to grow
faster, though.
These are definitely episodic chapters, though with
some running jokes and recurring characters. Handa has to call Kawafuji when
his computer goes out, having to run to the convenience store and figure out
how to use an old rotary phone. He starts practicing for a calligraphy contest,
with a renewed sense of purpose and courage. A child gets lost and Naru leads
her to safety, kind of. Handa gets pushed into writing the name on a boat for
Miwa’s intimidating father. There’s an Obon festival of sorts, where we get to
see a more serious aspect of Naru’s life; Handa decides to start gardening,
after realizing so many others grow fresh vegetables.
My favorite chapter is when Handa tries child-proofing
his house in an attempt to keep Naru and Miwa and all the other kids from
showing up in the house and waking him every day. He thinks it’s all good—he
fixes the broken board Naru sneaks in through, the windows and doors are
locked, but it never stops them from coming in. Only to find out that they all
have keys, and there is no stopping them, they know the house better than he
does.
This series is very slice of life, with slow moments
of character growth, a lot of country life with kids, and a lot of hilarity.
There’s a lot to love here, and it’s growing on me. I’m rather enjoying it.
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